The photographs, featuring anonymous figures—a man and two children of different sexes—symbolize the essential roles in every woman's life, at least according to the traditional definition of the nuclear family. The two distinct forms of cow's milk serve as metaphors, associating women and children with "nature" and men with "culture"—a dichotomy that underpins much of the discourse around demographics.

The series, along with an object and a video, is part of a three-piece installation titled (Re)production: The Personal is Political.